I enjoy the work of Lisa Congdon although her work is much more graphic designy and modernist than mine. Anyway she's done a number of pictures of little towns and they inspired me to try one. I decided to use gouache as I wanted the rather chalky colors that can provide. I liked what happened at this first stage and was a bit afraid of losing it as I added detail so I recorded it. I had originally thought I wanted flat color but ended up liking the variation that happened when I used the paint quite diluted.
I then went ahead and added black marker and white acrylic ink lines.
It's a little hard to know where to stop with the details...
I realized that followers of my blog may wonder what happened to my challenge to myself to create a new piece of art every day for 20 days. It looks as thought there are quite a few gaps, but in fact I've been posting my daily piece at my Facebook page, Alison Kolesar Illustrator. I've just used my blog to talk about pieces that needed a bit more explanation. Anyway here's today's piece.
It's a straightforward watercolor that needs no explanation other than that the blossoms are not painted from life - we don't get leaves or blossoms on the trees around here before May! And the bird's colors are made up, so if it looks like a kind you recognize that's just by chance.
I was thinking about Easter bonnets (as something to draw - I won't be wearing one), which brought to mind this image by Norman Rockwell
although I know it's just called "Walking to Church" and isn't specifically Easter.
This is the drawing that resulted
Then I wondered about superimposing these three on an old photo of a street and it turns out that this one is in the archives of the Norman Rockwell museum as a reference photo used by Rockwell himself.
I enjoy looking at surface pattern designs, but have very little understanding of how to create them. I took a little step forward in my learning with this image. First I sketched a bunch of things from my kitchen. Here's one page from my sketch book.
Then I scanned them into the computer, played around with the relative sizes, placed them together on one page, and printed it out.
More work with tracing paper, moving things around, adding a few more objects, and then I inked the final piece.
Here's where the computer fun started. I scanned it back into Photoshop and tried out a few things I'd learned by searching online. First here's what happens when you go to Image, then Adjustments, then Invert.
But I wanted a white line and colored background. That involved going to Select, using the eyedropper to pick up the white, then to Layer, New, and Layer via Cut, which puts the line work on a layer of its own. You can then color another new layer and change the order of the layers so the white line is on top.
And here's a bonus one where I somehow managed to color the lines rather than the background. Still learning!
As I was contemplating adding words to today's picture, I came across this great little verse by James Whitcomb Riley. I don't know anything more about him except that his dates were 1852 to 1916, this comes from a piece called Wet-Weather Talk, and I'm guessing from the semi dialect that it was put into the mouth of a country character.
"It haint no use to grumble and complane
It's jest as cheap and easy to rejoice;
When God sorts out the weather and sends rain,
W'y rain's my choice."
A quote from my favorite poet. I'm not sure I could offer this one for sale because of copyright issues (though some people say very short and attributed quotes are OK). Next time I'll look for something that's definitely in the public domain. The postcard was downloaded from a site that has lots of old images, some for free. (I can't now remember which site but there are lots.) No need to scour junk/antique shops any more for that sort of thing!
I recently came back from a wonderful vacation. No prizes for guessing where we went!
I'd also been to Scotland to visit my father earlier in the month, so March wasn't very productive work wise. Now I'm trying to re-establish some good habits and therefore I'm setting myself a challenge - 20 new pieces of art work in the next 20 days. Here's piece number one.
I don't have any particular theme in mind and obviously they can't be too big or complex if I'm really going to do one a day. It'll be interesting to see what emerges.